From ftm
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For their wisdom and advice we would like to thank | For their wisdom and advice we would like to thank | ||
| + | * '''Gerhard Eckel''' | ||
* '''Xavier Rodet''' | * '''Xavier Rodet''' | ||
* '''Alain de Cheveigné''' | * '''Alain de Cheveigné''' | ||
* '''Geoffroy Peeters''' | * '''Geoffroy Peeters''' | ||
* '''Axel Roebel''' | * '''Axel Roebel''' | ||
| + | |||
| + | The design of Gabor is based on ideas that have been previously implemented in Gerhard Eckel's work on granular and FOF synthesis. | ||
Revision as of 17:49, 20 June 2007
FTM & Co is developed in the Real-Time Musical Interactions team at IRCAM by
- Norbert Schnell
- Riccardo Borghesi
- Diemo Schwarz
- Frederic Bevilacqua
- Remy Müller
- Arshia Cont
- Jean-Philippe Lambert
with contributions by
- Pierre Duquesne
- Sebastien Gulluni
- Baptiste de la Gorce
FTM is based on the jMax project that has been conducted by the IRCAM's Real-Time Systems team coordinated by Francois Dechelle, who contributed some of the essential functionalities to what today is FTM. jMax was also developed by Maurizo Decceco, Enzo Maggi and Patrice Tisserand.
For their courage and critique contributing to the evolution of the project we would like to thank
- Roland Cahen
- Olivier Pasquet
- Mikhail Malt
- Alexis Baskind
- Thomas Goepfer
- Manuel Poletti
- Benoit Meudic
- Andrew Gerzso
For their wisdom and advice we would like to thank
- Gerhard Eckel
- Xavier Rodet
- Alain de Cheveigné
- Geoffroy Peeters
- Axel Roebel
The design of Gabor is based on ideas that have been previously implemented in Gerhard Eckel's work on granular and FOF synthesis.